Three students embark on their end of year Media Studies project unaware of the horrific and unspeakable fate that awaits them. What starts as a seemingly simple mystery soon turns into a claustrophobic and hellish nightmare.
A film editor's setup. A man plays with a balloon.
Meet Astrid. Proof that anyone can be on TV. Anyone.
Satan rir media (‘Satan Rides the Media’) is a 1998 Norwegian documentary by Torstein Grude. The film covers the controversy that surrounded black metal musician Varg Vikernes in the early 1990s, who not only has been tied to a series of church arsons in Norway, but received widespread media attention for the murder of Mayhem band member Øystein "Euronymous" Aarseth.
From the front lines of the bankrupt Chicago Tribune, to the vibrant local online publishing and start-up scene, pioneering journalists struggle to reinvent a storied, yet troubled industry. "Mashed Media" visits bloggers, independent publishers, hacker journalists, and social media mavens working in the trenches of Chicago, providing a rare and intimate look at the future of journalism now.
In this short video work, fragments of found footage suggest the analysis of bodies in space: humans, technology, architecture and movement, through the process of swelling industrialization and urbanization to a point where humanity is redefined by the machinery it has created. In viewing the process of montage we can be seen to occupy multiple spaces through the same screen, fragmented. Similarly, the continuous physical timeline of a twenty-first century individual can be seen as fragmented across multiple forms of information. Where is this information... and who, or what, is processing it? Darren Banks (UK) incorporates found and made film footage into sculpture and installation to explore ideas about domesticity, defunct technologies, cinema and the unknown. His work questions the perception of sculpture in relation to objects, film and memory.
We've been invaded again, but this time is our own fault: We've created New Media. They've dominated the human race, changing themselves into biomecanical appearance self-sufficient organisms.
Living in the lap of luxury through no achievement of his own, an out of touch, middle-aged poseur tries to make good by getting in on the 'viral video' craze.
In this two-hour H2 special, historian and weapons expert Mike Loades goes medieval diving deep into the world of the Middle Ages. From the 5th to the 15th centuries, Mike battles the realities vs. the myths of this extraordinary time crusading for the core of real life while delivering fun-filled facts. From living, working and fighting to how to keep a knight's armor shiny using a vigorous rub of sand, vinegar and urine, Going Medieval is an expert account of life during medieval times.
A sensationalist interviewer and her cameraman arrange for conversation with an institutionalized killer known as The Media Madman.
A film about the noted American linguist/political dissident and his warning about corporate media's role in modern propaganda.
An advertising startup uses birds to spread its message. Documentary.
This lively documentary explores the rise and fall of physical media from the origin of film all the way through the video store era into digital media, focusing on B-movie and cult films. With icons like Joe Bob Briggs (MonsterVision), Lloyd Kaufman (Toxic Avenger), Greg Sestero (The Room), Debbie Rochon (Return to Nuke 'Em High), Deborah Reed (Troll 2), Mark Frazer (Samurai Cop), James Nguyen (Birdemic) and many others.
The story of straight-edge literature professor Vivian who travels to Reno to get away from a relationship breakup when she falls in love with an attractive and unconventional girl named Cay.
A self described "documediamentary" about the reactions to the release of the then final Star Wars film, "Revenge of the Sith".
Two rival rodeo bull riders fight for the top prize and the love of a woman.
Media Watch is an Australian media analysis television program presented by Paul Barry for the Australian Broadcasting Corporation. In recent years the program has focused on critiquing the Australian media. It played a key role in revealing the unethical behaviour of radio talkback hosts, which became known as the cash for comment affair as was the centre of an investigation by the Australian Broadcasting Authority.
Join Jay Smooth next week for the start of our next miniseries: Crash Course Media Literacy!
Eating Media Lunch was a satirical New Zealand news show hosted by Jeremy Wells. It aired on TV 2 and online on TVNZ ondemand from 2003 to 2008. The show was frequently controversial during its run.
The IFC Media Project is an American television series, which airs on the Independent Film Channel in the United States. The show is a documentary series which examines America's news media and seeks to uncover the truth about the news. In its first two seasons it was hosted by award winning journalist Gideon Yago and featured in-depth reporting on controversial topics facing today's media through its use of interviews and documentary footage. In the third season, the show dropped its "magazine-style" format and focused each episode on telling 22-minute short documentaries under the tagline "4 Nights, 4 Journalists, 4 Stories." The third season follows award-winning journalists Max Blumenthal, Nir Rosen, Charlie LeDuff and Andrew Berends. The series is filmed at various locations and is produced by Meghan O'Hara and Nick McKinney.
Media Television was a Canadian television newsmagazine series, which aired weekly on Citytv from 1991 to 2004. It was also syndicated internationally, airing in over 100 countries around the world at some point during its run. The show, subtitled "The Modern Art and Science of Persuasion", offered a behind the scenes examination of the worlds of media, marketing, technology, the internet, print, radio, and television. It was one of the first syndicated programs to employ a videographer whose role was as camera, interviewer, and host all rolled into one. Media Television's primary contribution was its unique examination of worldwide advertising in an intelligent manner.
The enchanted Princess Medialuna only comes out at night, when she explores and has fun with her friends Petunia and Chacabuco the toad.
Catherine lost her memory and wound up in a convent in the care of nuns. She tries to discover the terrible events which led to her condition, not realizing that she's being watched by a wealthy and powerful man who will do anything to protect his secret - a secret that only Catherine can reveal to the world.
A physicist discovers a briefcase containing postdated documents and evidence which indicate he will die five days in the future.
Vivir a Destiempo is a Mexican telenovela produced by Fides Velasco and Jacky Castro for Azteca. It stars Edith González and Ramiro Fumazoni as the protagonists alongside Humberto Zurita, Andrea Noli and Wendy de los Cobos as the main villains. The original story and screenplay is written by Eric Vonn. From February 25 to September 20, 2013 Azteca 13 broadcast Vivir a Destiempo, replacing Los Rey.