Firearm heiress Sarah Winchester is convinced that she is haunted by the souls killed at the hands of the Winchester repeating rifle. After the sudden deaths of her husband and child, she throws herself into the construction of an enormous mansion designed to keep the evil spirits at bay. But when skeptical a San Francisco psychiatrist is dispatched to the estate to evaluate her state of mind, he discovers that her obsession may not be so insane after all.
Lin McAdam rides into town on the trail of Dutch Henry Brown, only to find himself in a shooting competition against him. McAdam wins the prize, a one-in-a-thousand Winchester rifle, but Dutch steals it and leaves town. McAdam follows, intent on settling his old quarrel, while the rifle keeps changing hands and touching a number of lives.
Winchester combines static 16mm historical photographs of the house, drawings, and laborious digital manipulation to convey a psychological portrait of the house. Accompanied by a moody soundtrack, the piece opens with a black-and-white shot of the architectural facade. Superimposed over the house, the silhouette of a gunfighter fills the frame, alluding to the Winchester legacy. As the film unfolds, both mansion and rifleman are eclipsed by veils of saturated color and kinetic abstractions. Painterly shapes resembling gunshot wounds morph into Rorschach–like inkblots and back again into rifle–bearing specters.
TV Remake of the 1950 James Stewart Western movie of the same title has two brothers, one an ex-con the other a law officer, competing for possession of the famed repeating rifle.
A family moves in to look after the Winchester mansion for a few months, and soon find themselves terrorized by vengeful spirits. With the help of a paranormal investigator they'll unravel the mystery of the house.
Winchester Redux (2004) by the late, renowned digital artist Jeremy Blake (1971 – 2007) is an abridged version of the artist’s acclaimed Winchester Trilogy.
An opera ballet that doesn't exist. A ghost-like piece, played in Opera Bastille and danced at Opera Garnier. An almost mystical link between both scenes. A musician is testing sounds in Bastille's pit. The choir are taking their place in the rehearsal studio. Both sides are fine tuning the work in progress of an opera ballet: Sarah Winchester, her grief, her madness, her home and her ghosts.
Two outlaws compete with each other over a treasure map that will lead them to buried gold while one of them is in league with a sadistic priest-turned-crime lord, while a young Native American girl helps both outlaws and plays both sides against each other.
Pre-American Civil War Ringo and his friends rescue a young woman from kidnappers. Ringo later marries her. With the coming of the civil War Ringo finds himself at odds with one of his friends, Frank, who has joined The South and is now in the pay of a crooked Mayor....
Chamaco finds himself on the wrong end of a firing squad after tracking an ex-Confederate to interrogate him about General Beauregard's missing gold. He's saved by a stranger who calls himself Stuart (Byrnes). Stuart claims to know the location of Beauregard's strongbox, and so Chamaco takes him to Blake's camp. After a sort of initiation by the gang, Stuart leads Blake's men back across the border to Durango to retrieve the gold. Source: SWDB www.spaghetti-western.net
Bandit leader El Diablo who controls the country with his gang plans to achieve gold destined for Mexico but he is not the only one.
Jess Vrain returns to town at the request of a former friend to find that everything has changed. Not only has his ex-girlfriend become a refined lady but someone is killing people with the only clue being a rare Winchester rifle.
An undercover government agent sets out for revenge upon those responsible for the murder of his parents and the assault of his sister.
A man gains access to a treasure map and persuades a guide (Juan Chasquisdo) to accompany him in his search to recover it. Both are pursued by bandits.
American Matt Quigley answers Australian land baron Elliott Marston's ad for a sharpshooter to kill the dingoes on his property. But when Quigley finds out that Marston's real target is the aborigines, Quigley hits the road. Now, even American expatriate Crazy Cora can't keep Quigley safe in his cat-and-mouse game with the homicidal Marston.
Cattle Annie and Little Britches is a 1981 American film starring Burt Lancaster, Rod Steiger, Diane Lane, and Amanda Plummer, based on the lives of two adolescent girls in the late 19th century Oklahoma Territory, who became infatuated with the Western outlaws that they had read about in Ned Buntline's stories and left their homes to join the criminals. It was scripted by David Eyre and Robert Ward from Robert Ward's book and directed by Lamont Johnson.
Buckaroo avenges the death of his father.
A gang of Mexican bandits make trouble for the owner of a gold mine, so he hires on a gunfighter.
A Kung-Fu fighter and his brother run away from a very important fight in China and are trailed to the United States by his opponent, where he finds him and a gang of outlaws in a small western town.
A Spaghetti western styled adventure of Zorro.