The movie is set in the remote chinese province of Fenyang, and spans the turbulent 1980s by following four performers in the state-run Peasant Culture Group. We see the group evolve from workers that are restricted to approved revolutionary classics that praise Chairman Mao, through performance of western classics, after china adopts an 'open door' policy, and the effects on their lives.
People riding on a moving platform / walkway.
After his mothers death, 12-year-old Jaya (Iqbal S. Manurung) is sent to his father, Johar (Didi Petet), who works as a supervisor on a jermal (a fishing platform perched on log stilts in the middle of the sea). Johar is shocked, never knowing he has a son, and rejects the boy as his kin. Fully aware he cant bring Jaya back to land due to a dark past, Johar is forced to accept the boy as a worker on the site. Faced with constant rejection from his father and relentless bullying by the other boys who work on the jermal, Jaya decides to take fate into his own hands. He gives up hope on being accepted and learns the skills and attitude needed to survive on the jermal. Jaya increasingly becomes like the other boys: a tough, rough survivor; while Johar is forced to gradually face and accept his past. Eventually, both Johar and Jaya learn that they are bound by their past, united by the space in which they move, and connected by the inescapable truth.
Magpul Dynamics brings the basic building block of Aerial Platform Operations. Whether you are a Law Enforcement, Military, Park Services, Coast Guard, etc… you can utilize this training tool to build the blocks required to increase your success and build your unit or agency standard operation procedures. Instructors Travis Haley and Chris Costa address everything from budgeting issues, mission planning, recon, surveillance, search and rescue, maritime operations to actually having to take a shot from an aerial platform.
Old short about the importance of good platform posture and how we can improve it through the simple knee test.
A group of six scuba divers that specialize in deep underwater operations lives for a period of three weeks at the bottom of the ocean, conducting work on board of the platform Luna.
Today PLATFORM is a series of thirteen films, shot in specific neighborhoods of cities chosen for their modernity and architectural complexity. However, the architecture is not filmed for its own sake, it plays the role of background. These locations are also crossroads of different lanes of communication, therefore ebbs and flows are important and almost contextual. A multitude of micro-events are recorded in one sole shot. The simultaneity of these very ordinary events (a car passes, then a train…) is also what makes for audio and visual richness. The choice of the organization of scenes and mixing of the soundtrack come to defy the documentary objectivity of the fixed shots that constitute the film. The use of editing process from classic fictional cinema allow the interweaving of inframince connections between the shots. Attention is therefore focused on a succession of details which become essential.
A train pulls into the station, and the crowd of travelers invades the dock.
The most beautiful planet deconstructed, played with, and put back together again.