Frozen texts are often troubling for interpreters. Coupled with the complexity of the legal system, frozen texts such as the Miranda Warning can be an intimidating task to tackle in ASL. This DVD provides a guided look at the construction of a culturally rich, conceptually accurate rendering of the Miranda Warning. By exploring the history of the warning, the disparities in culture, and the linguistic considerations, this disc will provide a framework whereby sign language interpreters of all levels can gain confidence in developing an effective interpretation appropriate for use in the criminal justice system.
Last Rights is a British three part mini-series, which first aired on Channel 4 on 24 March 2005.
Eyes on the Prize is a 14-hour documentary series about the African-American Civil Rights Movement. The series was produced in two stages: Eyes on the Prize: America's Civil Rights Years 1954–1964 consists of the first six episodes covering the time period between the Brown v. Board decision and the Selma to Montgomery marches. It was broadcast in 1987 on PBS. The remaining 8 episodes make up Eyes on the Prize II: America at the Racial Crossroads 1965–1985, which was broadcast on PBS in 1990. The series was also shown in the United Kingdom on BBC2. Created and executive-produced by Henry Hampton at Blackside, Inc., the series uses primary sources to record the growth of the civil rights movement in the United States, with special focus on the ordinary people who effected the change. It has been lauded for its depiction of the Civil Rights Movement, and used extensively in schools and other educational settings as a way to convey the experiences and struggle for civil rights in America. The title of the series is derived from the song "Keep Your Eyes on the Prize", which is used in each episode as the opening theme music.
Foreigners out! Schlingensiefs Container, alternately named "Wien-Aktion", "Please Love Austria—First European Coalition Week", or "Foreigners Out—Artists against Human Rights", is an art project and television show from 2000 that took place within the scope of the annual Wiener Festwochen. It was conceptually designed by Christoph Schlingensief and directed by Paul Poet, and was styled as a mockery of popular TV program format Big Brother. It was critically aimed both at certain forms of television entertainment and at a latent xenophobia still thriving in the whole world.