In a Naples suspended between magic and superstition, madness and rationality, a mystery envelops the existence of Adriana (Giovanna Mezzogiorno), overwhelmed by a sudden love and a violent crime.
Mike Hamilton, a Philadelphia lawyer, comes to Naples to settle the estate of his long estranged "black sheep" brother. Once there, he discovers that the deceased has left an 8 year old boy who is being raised by Michael's sister-in-law Lucia Curcio. To make matters worse, Lucia happens to be a sexy nightclub dancer.
A British Intelligence Officer in Naples at the end of World War II: Norman Lewis's acknowledged masterpiece about a war-torn city and its unforgettable humanity.
Tom chases Jerry through the streets of Naples; they meet a local mouse who recognizes them from their cartoons and shows them around. Meanwhile, some local dogs are shadowing them.
Tribute to Naples, where director De Sica spent his first years, this is a collection of 6 Napolitean episodes : a clown exploited by a gangster ; an inconstant pizza seller (Sofia) loosing her husband's ring ; the funeral of a dead child ; the gambler Count Prospero B. defeated by a kid ; the unexpected and unusual wedding of Teresa, a prostitute ; the "professor" Ersilio Micci, a "wisdom seller".
Cahiers du cinéma critic Serge Daney asks whether The Kingdom of Naples is "leftist fiction, kitschy melodrama, photo-roman, a decadent chronicle of a city, opera in a minor key, or simply the first realistic narrative film by Schroeter?" It is all of these and more: an epic chronicle of proletarian family life in Naples from 1943 to 1972 that brilliantly captures the wretched poverty, overwrought passions, and political, religious and economic upheavals of Sicily across two generations. Schroeter assimilates neorealist aesthetics and class sympathies with the tempestuous excesses of popular melodrama, borrowing freely from Rossellini, Pasolini, Visconti, Brecht, and Rossini. (Facets)
Goals, skills and life of Maradona with the Napoli.
The capture of Naples, the first great European city to be liberated, revealed the magnitude of the tasks involved in re-creating the means of livelihood and the machinery of government in a devastated, starving and disease-ridden city.
An expulsive star of a variety theatre cannot decide between the love of an honest archaeology professor and the love of an extravagant official who turns himself into a cabaret comedian in his sparetime.
A film preserved by the UCLA Film and Television Archive
A beggar and a singer are in love with the same woman.
"On the occasion of the premiere of Nel Regno di Napoli in Cannes in 1978, Werner Schroeter gave me an audio interview about this film and about his work in general. Our meeting took place on the terrace of the Hotel Majestic, in the midst of excitement of the Cannes festival life, a few days after the screening of Nel Regno di Napoli and in the presence of the photographer Jean-Claude Moireau. Vivre à Naples et mourir is the audio capture of that informal meeting that happened on 20 May 1978 and which is, as per director's wish, more like a casual conversation than an interview in the strict sense of the term (a set of questions and answers).
Szegedi Anna, a lawyer having just arrived back from Naples wants to divorce his husband, also a lawyer, because since a hot night she has only been thinking of Laczkó, the handsome businessman.
Most likely made for the large Neapolitan immigrant population in the States, Roberto Leone Roberti’s love poem to Naples more than captures the heartache of the countless émigrés who were forced by economic circumstances to leave their homeland.
The film begins across the street from some young boys who are lined up against a curbing eating spaghetti or macaroni. The only other action occurs when a small child runs across the picture and is yanked out of camera sight by someone. Naples, Italy.
Elena of Montenegro and Victor Emmanuel III, followed by their escort.
Inspector Betti (Maurizio Merli) is transferred to Naples and immediately after his arrival receives a warm welcome from The Commandante (Barry Sullivan), the city's crime lord. Betti then goes on a personal mission against corruption and organized crime, and tries to force the syndicate out of town with any means necessary.