Argentine actor and comedian Fernando Sanjiao uses humor and impersonations to explore the concepts of masculinity and fatherhood in modern times.
On a trip to the beach, a teenage girl named Tobe meets a charismatic stranger named Harlan, who dresses like a cowboy and claims to be a former ranch hand. The pair feel an instant attraction and begin a relationship, but her father, a lawman, is suspicious of her lover.
In Fernando Nation, Mexican-born and Los Angeles-raised director Cruz Angeles traces the history of a community that was torn apart when Dodger Stadium was built in Chavez Ravine and then revitalized by one of the most captivating pitching phenoms baseball has ever seen. Nicknamed “El Toro” by his fans, Fernando Valenzuela ignited a fire that spread from LA to New York—and beyond. He vaulted himself onto the prime time stage and proved with his signature look to the heavens and killer screwball that the American dream was not reserved for those born on U.S. soil. In this layered look at the myth and the man, Cruz Angeles recalls the euphoria around Fernando’s arrival and probes a phenomenon that transcended baseball for many Mexican-Americans. Fernando Valenzuela himself opens up to share his perspective on this very special time. Even 20 years later, “Fernandomania” lives.
The film narrates the process in which two female forensic doctors, responsible for the Office of Identification of Legal Medical Institute of Santiago, fail to determine the identity of bodies that presumed are prisoners, detained and disappeared during the military dictatorship of Augusto Pinochet (1973- 1990).
Directed by John English in 1944. A ranch owner fires his ranch hands and brings in women to replace them. The owner's daughter wants the male hands back and comes up with a plan to do it. They will rustle the horses and when the women hands are unable to find them, they will bring them in and get their old jobs back. But the two hands that steal the horses sell them and then claim they were robbed.
An outlaw must decide whether to stick his neck out for an innocent man.
Fernando Lopes in the first person: through his words and films, from the village where he was born until Lisbon of present time, we discover the themes and emotions of the work of one of the main authors of portuguese "Cinema Novo".
Fernando Montiel vs. Nonito Donaire is a 118-pound world title fight, which kicks off HBO's season of "Boxing After Dark" and pits 2 fighters both on the pound-for-pound list. The biggest boxing action often comes in the smallest packages, which is what fight fans are hoping for when unified bantamweight titleholder Fernando Montiel defends his belts against Nonito Donaire. Montiel, installed as a 2-to-1 underdog by the casino, will be making his fourth title defense and is coming off a second-round knockout of Jovanny Soto in a December non-title bout designed to be his final tune-up before facing Donaire.
What is the nature of life? What is the nature of art? How can art influence our lives? These are the questions of this movie. The main character, a man who lives both in the world of dreams and reality, searches his past, in order to understand its meaning. He has meetings with the ghosts of his dead friend, his dead lover, his dead father and Pessoa, the great portuguese writer. These four encounters give him clues about what he is looking for. Beside that, he finds himself in front of art, discovering how it modifies our comprehension of life. It's based in one of Tabucci's (the italian writer)books: "Requiem". This few lines cannot resume the greatness of this movie. The last thing I can say is: If you like art, I recommend you to see it. If you ever wonder about the nature of dreams, or you live in dreams half of the time, I think you'll feel like this movie was made for you.
Philo takes part in a bare knuckle fight - as he does - to make some more money than he can earn from his car repair business. He decides to retire from fighting, but when the Mafia come along and arrange another fight, he is pushed into it. A motorcycle gang and an orangutan called Clyde all add to the 'fun'.
Philo Beddoe is your regular, easygoing, truck-driving guy. He's also the best bar-room brawler west of the Rockies. And he lives with a 165-pound orangutan named Clyde. Like other guys, Philo finally falls in love - with a flighty singer who leads him on a screwball chase across the American Southwest. Nothing's in the way except a motorcycle gang, and legendary brawler Tank Murdock.
Ferdinand, a little bull, prefers sitting quietly under a cork tree just smelling the flowers versus jumping around, snorting, and butting heads with other bulls. As Ferdinand grows big and strong, his temperament remains mellow, but one day five men come to choose the "biggest, fastest, roughest bull" for the bullfights in Madrid and Ferdinand is mistakenly chosen. Based on the classic 1936 children's book by Munro Leaf.
Bells of San Fernando was advertised as a romantic adventure, but it plays more like a Western. Donald Woods plays an Irish immigrant who teams with Mexican gal Gloria Warren to combat land baron Anthony Warde. Whenever the plot lags, Warren sings. Catch the name of "Renault Duncan" in the screenplay credits of Bells of San Fernando. It's really actor Duncan Renaldo, aka "The Cisco Kid" -- which may explain why the film looks like a thinly disguised "Cisco" episode.
Documentary about Fernando Pessoa